Wazee Digital began a journey a few years ago to create a new coding framework for our services that could match all the capabilities of what it means to reap the benefits of being a cloud-native service. From inception, our services have been in the cloud, provided globally outside the firewall; this latest evolution is to start the process to architect our services into purpose driven APIs that adhere to agile best practices and provide a truly global, elastic, secure SaaS platform [...]
As I sit down to pen this revelation on the complexities and challenges of content ingest and metadata management, I find my head spinning as if it were the first time the concept ever entered my mind. The truth is, I actually do this for a living and still, the task is that daunting [...]
Twelve is a symbol of cosmic order. Twelve is the number of space and time. There are twelve months in a year and twelve zodiac signs. Apollo 12. Twelve people have walked on the moon. Twelve has an ancient meaning of being the number of perfection. Time is measured in two groups of twelve. There are twelve days of Commerce [...]
How was it that while monstrous, heavy-weight dinosaurs perished, smaller and more adaptive mammals survived? And how can we be similarly nimble survivors — escaping the "tar pits" and going on to thrive? Today, our customers are facing the most challenging period in their history, between the unprecedented rise in content competition, the need to manage multiple platforms, and an absolute imperative to understand consumers at a level they never have before [...]
How can content creators, or rights holders, localize the coverage of an event to enhance viewership and fan engagement? We have been watching this trend grow over the past couple of years. More content is being recorded than ever before and there are more ways to distribute content to engaged fans than ever before; TV, OTT, Social platforms and Property apps. Yet, how do we deliver the right content to the right people - at the right time effectively and efficiently? [...]
Wazee Digital Core is the heart of Wazee Digital’s portfolio. Core is responsible for the storage, workflow and delivery of content. Both Wazee Digital Commerce, our licensing soultion and Wazee Digital Media Hub, our lLive eEvents solution use Core and without it could not operate. In the next series of blogs we will be deep diving into the world of Core [...}
How do you define “simple” in two words or less? “No-brainer” comes first to my mind, my 11-year-old son says “not difficult,” my teenagers collectively say “basic” while my husband plays my little word game and mutters “not complicated.” As a product manager, I spend a significant amount of time trying to articulate features and […]
I returned from my deployment to Afghanistan in early 2013 and was greeted by friends and family at Denver International Airport. To this day, anytime I ride the train at DIA and take the escalator up to the main terminal, I relive that incredible feeling. I was a changed person, but for the most part I still felt like me. Sure there were a few days where anxiety ran high and I felt out of place, but that was normal, right?!
A couple of weeks ago, a group of us packed our bags once again for the IBC Show, held every September in Amsterdam at the RAI Exhibition and Congress Centre. From Film and Motion Picture – to Broadcast – to Playout Services – to Media Asset Management and everything in-between, there is no doubt that it’s advantageous for any company in the M&E market to place themselves amid the top industry influencers from around the world. The numbers aren’t quite in from this year’s show but we do know that there was a record attendance somewhere around 55,800 attendees over the course of the week – drawing in a global gathering and representing over 160 countries.
The first ten weeks of my summer I spent interning with the Account Management team at Wazee Digital. As a rising junior studying economics at Middlebury College, I was grateful and excited to be part of a unique and exciting business in a city that I had never been to before.
You see, Humpty is a deploy. He was all right in QA but collapsed after being deployed to production. Now, the site’s down and your boss is losing his shit. IT is saying the code is broken. The developers are saying it’s a server issue.
There is a myriad of moments that media organizations intend on capturing – plan for and execute from a variety of camera angles, delivery modes, and are consumed through multiple outlets. Then, there are the truly unique moments that are captured. The moments that through sheer serendipity go viral and capture a massive audience or heavily impact a few – stamping a key moment in time forever in memory.
Writing that title made me feel a little bit like soliciting for friends. You know… Like that movie, I Love You Man, with Paul Rudd and Jason Segel. A ‘bromance’ if you will, where “friendless Peter Klaven (Rudd) goes on a series of man-dates to find a Best Man for his wedding (IMDB).
Sports and Live Events properties are creating more content than ever. The ease with which anybody can shoot, edit, and post video, in combination with the explosion of social media applications has had a significant impact on traditional broadcast and nobody is immune: ESPN has lost 13 million subscribers in 5 years (Nielsen). After years of inflated media rights deals for sports properties, the bubble has burst (or at the very least, experienced a significant and extended leak).
After 18 years it was a daunting move to a new company, new coworkers, and new clients. So why not take the safe path? There is a popular saying in the M&E industry: ‘Content is King’. What isn’t mentioned is that the content is often locked up in the dungeon like an ill-begotten prince after being paraded around once when it was a cute newborn never to be seen again. Just like that prince – there is hidden potential which needs to be properly prepped and made available to the masses for consumption. To have the opportunity to teach the industry how to unlock the revenue opportunities in their already existing content is an exciting and fascinating prospect. But first, I needed to meet my new coworkers, clients, and product.
I love interviews because you can ask pointed questions and you either get a very concise answer or you have an eyebrow raised on one person (typically the interviewer) and a tilted puppy dog head on the other (typically the interviewee). In the latter, you’ve most likely encountered the classic ‘failure to communicate.’ I know this reference from the song Civil War, by Guns N’ Roses, though some of you may know this from the classic 1967 prison drama, Cool Hand Luke – for the rest of you, you’re welcome.
There’s this Moody’s Investor Services report: Pay TV and Television Networks — US: OTT Invasion: Grand Bargain Required for Long-Term Sector and Credit Stability. I’ve only read the publicity abstract that was picked up by quite a few M&E press and blog sites. Even in an abstract form, it was such a succinct and compelling analysis of the disruption that is occurring in the media business – that I can’t stop thinking about it.
By year 2000, the Internet was everywhere. Yet still, it was something that we patiently waited to be connected to – ah yes, the days of watching the iconic yellow AOL man run across your screen with the exciting yet dreaded dial-up tone. “Welcome,” and “You’ve got mail” became signals to our psyche that we were connected.